Tragic Flaws in Macbeth Macbeth by Shakespeare is a tragedy in which the protagonist, who is a loyal and brave warrior in the beginning of the play. However, a number of factors lead him to choose a path of killing and murders. He kills King Duncan, then Banquo and later on the wife and the son of Macduff in order to secure the throne for himself as well as for his future generation.
References and Further Reading 1. Poetry as Imitation The first scandal in the Poetics is the initial marking out of dramatic poetry as a form of imitation. We call the poet a creator, and are offended at the suggestion that he might be merely some sort of recording device. As the painter's eye teaches us how to look and shows us what we never saw, the dramatist presents things that never existed until he imagined them, and makes us experience worlds we could never have found the way to on our own.
But Aristotle has no intention to diminish the poet, and in fact says the same thing I just said, in making the point that poetry is more philosophic than history. By imitation, Aristotle does not mean the sort of mimicry by which Aristophanes, say, finds syllables that approximate the sound of frogs.
He is speaking of the imitation of action, and by action he does not mean mere happenings. Aristotle speaks extensively of praxis in the Nicomachean Ethics.
It is not a word he uses loosely, and in fact his use of it in the definition of tragedy recalls the discussion in the Ethics. Action, as Aristotle uses the word, refers only to what is deliberately chosen, and capable of finding completion in the achievement of some purpose.
Animals and young children do not act in this sense, and action is not the whole of the life of any of us.
The poet must have an eye for the emergence of action in human life, and a sense for the actions that are worth paying attention to. They are not present in the world in such a way that a video camera could detect them. An intelligent, feeling, shaping human soul must find them.
By the same token, the action of the drama itself is not on the stage. It takes form and has its being in the imagination of the spectator. The actors speak and move and gesture, but it is the poet who speaks through them, from imagination to imagination, to present to us the thing that he has made.
Because that thing he makes has the form of an action, it has to be seen and held together just as actively and attentively by us as by him. The imitation is the thing that is re-produced, in us and for us, by his art.
This is a powerful kind of human communication, and the thing imitated is what defines the human realm. If no one had the power to imitate action, life might just wash over us without leaving any trace. How do I know that Aristotle intends the imitation of action to be understood in this way?
There is the perception of proper sensibles-colors, sounds, tastes and so on; these lie on the surfaces of things and can be mimicked directly for sense perception.The Tragic Flaws of Macbeth. In The Poetics, Aristotle thoroughly analyzes Greek tragedies and comes to a conclusion that tragic dramas should involve a heroic .
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The Tragic Downfall of Lady Macbeth by William Shakespeare Essay - Furthermore, this scene is important in terms of plot development because it is the last appearance of Lady Macbeth in the whole play and also the most revealing and memorable. Get an answer for 'How is Macbeth a tragic hero?' and find homework help for other Macbeth questions at eNotes.
The tragic hero is a longstanding literary concept, a character with a Fatal Flaw (like Pride, for example) who is doomed to fail in search of their Tragic .